.: May 2013

Wednesday, May 29, 2013

Fashionable Young Turk!

I think over the years I have learned to see people for who they are... I believe everyone has untapped potential and I am surrounded by people who have dreams of making it and the where with all to do it.
Ive known Jermaine now for many years and he has always had an eye on fashion and art... which is clear in some of our model/photographer collaborations. This was someone who knew how to pose, knew their look and how to make a good image look easy.

A couple of years ago at what felt like a crucial moment Jermaine stepped out with a leap of faith with what he knew and began to push it out to the world with a website Barringtonorr.com and in short order the site has gotten allot of notice! Ones success breeds success in others and as such I asked Jermaine how he went about making that leap... and where he saw it going...

So You created and have been developing Barringtonorr.com for a couple years now….

Why did you undertake this and so far what has been the most fulfilling aspect?

BarringtonOrr.com was an idea that came to me over a very short span of being a stylist within the Toronto Fashion scene and I wanted to share my experience and knowledge within the fashion industry to those who are looking to add an extra pep in their overall wardrobe as the market became over-saturated with quantity and not quality. The most fulfilling aspect of - I don’t refer BarringtonOrr.com as my job- doing what I love had to be getting a hand written letter from a client I’ve always dreamed of working with. I value the simple things.

Who is your audience? and what do you hope they walk away with?

The BarringtonOrr.com audience are males/females ages 18-35 who are young professionals looking for that extra boost of confidence or even a little bit of guidance when getting dressed on a Friday night. What I hope our audience walks away from when viewing our site is the confidence to wear whatever it is they choose without the constraints of fitting in. Fashion is about showcasing your individuality, not how much you can afford.

Do you see Barrington orr evolving and growing? If so what would it look like in 5 years?

That’s a good question. There has been so much that is transpiring, so much more than I have expected and I am forever grateful. In five years I foresee BarringtonOrr.com expanding from more than a publication to developing model portfolios, curating a savvy group of wardrobe stylist, and lastly throwing small intimate PR related events throughout Montreal, Vancouver, and Toronto.

All that in two short years.... A transformational idea... A new reality!
I hope people can see that with allot of hard work everyone can see their dreams come true... EpiphanyNoir has been featured a couple times at Barringtonorr.com Click here: Attitude and here: EpiphanyNoir Unedited

Note: All images and text (not specified) is copyrighted by Christopher Cushman. This site does not specify or denote the sexual orientation of any model and as such please post your comments accordingly.

Monday, May 13, 2013

Chrysalis

Note: All images and text (not specified) is copyrighted by Christopher Cushman. This site does not specify or denote the sexual orientation of any model and as such please post your comments accordingly.

Support Dance!

Sunday, May 12, 2013

Cocoa

Thursday, May 09, 2013

Jade

The Dance Through Life Project

Photograph project dedicated to capture the Art of Dance within the parameters of everyday life. The project hopes to capture the innate relationships between dance and everyday life. Images of dance performed in non-traditional locales hopefully demystifying dance as being inaccessible and drawing the obvious metaphor that while all can not express life with such movement and physicality, we all love with our own signature grace. Therefore we all dance.

Order your copy today by clicking on the books above!

Through New Eyes: The Photography of Christopher Cushman by Rinaldo Walcott

The Black male body remains an enigma despite its over representation in the public sphere. The dominance of hip hop culture globally, driven in part, but not exclusively by the innovative sounds of rap music have made Black men a standard by which Black men and other men judge themselves in contemporary culture. However, there is a paradox, because despite the prevalence of hip-hop’s popular global impact, Black men are also still some of the most despised men in Western culture. Stereotypes of criminality, disease and danger still abound and organize Black men’s lives, even within hip hop culture. Thus representations of Black men tend to be much more restricted, than open-ended. The struggle to bring Black men into complex open-ended representations has been an on-going historical struggle. One of the most potent forms of representation in the last one hundred and fifty years has been the photograph. Photography has offered the promise to represent the real in a manner that has both seduce its viewers and baffled them with its artifice. Black male photographic representations in the last half of the twentieth century and into the twenty-first have promised to rescue Black men from the confines of mis-representation and stereotype. One of the most difficult and complicated circumstances of Black male representations has been in the realm of representing their sexuality. Black men’s sexuality is still over-burdened by a perceived threat and danger, especially now in the hyped-up era of the downlow. Then along comes Cushman. I first hear of Christopher Cushman’s photography from my boyfriend. He told me of a guy who was taking photographs of black nudes based upon how they wanted themselves to be seen, not how he posed them as his models. When I met Cushman he confirmed that he did indeed work from the models’ suggested posed and not impose his own. The idea is a great one because it allows the models agency in choosing what they believe to be an adequate representation of who they are. While it is now true that in contemporary culture subjects have learned to play for the camera, offering us artifice on command, this artifice can be understood as exposing inner senses of self and being. Cushman’s photography captures and reveals those inner desires. Look at me, many of the models seems to say. But look at me anew, is also what they seem to project and insist on. Cushman’s eye lavishes these Black male bodies with glimmers of light revealing their nuance personalities. While most of the men are naked their individuality comes clearly through. And yet, their eyes too reveal that they belong to a community, a family and possess desires, fantasies and needs. In these photographs, as viewers we are given new eyes to see beyond our inner voyeur. Cushman channels, Robert Mapplethorpe, Rotimi Fani-Kayode and many other artists, commercial and amateur photographers who seek to rescue the Black male body from the disastrous depths of mis-representation, and who almost always fall short. The conversations that his models create between his work and others whether unconscious or not reveal the profound influence of the image in our time. However, in Cushman’s eyes the Black male body is not being rescued, instead it stands on a self-made pedestal, not arrogantly announcing its existence but coolly (its signature) singing its own praisesong as swathes of light and behind the camera love washes over it. In each moment a small but significant revelation is made. Each revelation offers us the opportunity of an Epiphany – to think a thought about a Black man that we have not thought before. Professor Rinaldo Walcott is a cultural critic and Canada Research Chair of Social Justice and Cultural Studies at the University of Toronto. He lives and writes in Toronto.

FIERCE! Being Black, Being Gay in America

"What Chris has done with this important collection of images, Fierce: Being Black, Being Gay in America, A Photographic Essay, is to seek, lift, and affirm the identity and visibility of men-who love-men and express it in many ways. His photographs display Midwest American men from the outlandish and flamboyant, to the subdued and subtle. You’d think these were “ladies who lunch;” muscular men dressed for the “Park” in lace, and floppy hats to give effect for all to see. Brothers connecting in places we know are safe, such as our nightclubs, the discos, and special events targeting our interests.

The importance of Fierce is paramount: all men are created equal, and share a space on earth. These portraits of men have to be recognized as God’s beauty and not His damnation. Time will thank those who were strong and dared enough to express themselves for all to see and appreciate in a manner that’s loving and creative. Time will also thank us for not living in a paranoid state of mind, and afraid of our own shadows. Remember, this cluster of work isn’t Robert Mappelthope’s approach to black imagery, but the approach of documenting men as they wanted to be seen: with and without sexual stimulation, for shock value."

Curtis A. Lipscomb
Executive Director Kick – The Agency for L-G-B-T African-Americans
Detroit Michigan / 2005
www.e-kick.com