.: Birthday 49! How The Hell Did I Get Here?

Sunday, July 26, 2009

Birthday 49! How The Hell Did I Get Here?

I seem to be fascinated with numbers of late.. all kinds of statistical information trying to but my life and some of the work I do into some kind of context. To be honest I feel allot of different things lately, For one I am an accomplished person, I have been in love several times and been loved back and for all of that I just don't understand how the hell I got here? And how did it happen so fast? This Thursday morning just after 11 AM I will be 49 years old.. 2557 weeks, 17900 days old! What have been doing with all of those days? Why am I not smarter and wiser after all this time?

Let me say this, I am not stupid..in fact I am fairly smart and uber creative yet it seems to me that after all this time I should at least be as smart as Einstein... no? Perhaps it was the age I was born in... the space age.. technology in full effect... by the time I was in school the calculator was beginning to take some of the mental burden off of me and my class mates(for the life of me I can no longer do long division on paper... sorry I have simply forgotten it) I simply go to the calculator thats on my iphone! Ha! Half of all that important to me is on my phone! When I look back at some of the things I grew up with out its astounding... there was no zerox for the first 12 years of my life... we used something called mimeographing(highly toxic as I remember) There was no such thing as video tape for the public until I turned 14! and even then it was so expensive you would laugh... Personal computers came when I was around 21! and I was even older before they became anything truly affordable... CD's came out around the same time and I bought my first player when I turned 23! before that I played tapes and records! 33's and 45's! As I started out in the design and illustration field I remember laying out type in large sheets called galleys and photo retouching was done on film and prints using paint through an airbrush... As a photographer I have about 150,000 film negatives compared to today with as many digital files! I know have complete control over all of my creations thanks to technology... I've seen so much change in my life time and yet the subtleties of life still have me confused as to how I got to this point!

Maybe it doesn't matter, maybe I am just reflecting to hard on what was and maybe its about whats to come... I do know that that is a cool concept to accept as I love life and it complexities and I am sure all of my experiences are going to use somewhere, some how.. so watch out world... I ain't even close to done!

Ok thanks to the folks at WolframAlpha I can tell you that I was born on the 212th day in the 30th week of the year. The sun rose at 5:23 am and set at 7:54PM which made for a 14 hour 31 min day! The temperature that day was a mild 67 degrees F with about a 70% cloud cover. There was a waxing crescent moon that night looking over the city of Detroit who's population was 1.67 million people on that day!

Note: All images and text (not specified) is copyrighted by Christopher Cushman. This site does not specify or denote the sexual orientation of any model and as such please post your comments accordingly.

1 comment:

Mardi Reid said...: LOVE YOU CHRIS..I wish I had been there to attend your party!!!!!!49...who knew??MUAH!!!!; 6:11 AM

The Dance Through Life Project

Photograph project dedicated to capture the Art of Dance within the parameters of everyday life. The project hopes to capture the innate relationships between dance and everyday life. Images of dance performed in non-traditional locales hopefully demystifying dance as being inaccessible and drawing the obvious metaphor that while all can not express life with such movement and physicality, we all love with our own signature grace. Therefore we all dance.

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Through New Eyes: The Photography of Christopher Cushman by Rinaldo Walcott

The Black male body remains an enigma despite its over representation in the public sphere. The dominance of hip hop culture globally, driven in part, but not exclusively by the innovative sounds of rap music have made Black men a standard by which Black men and other men judge themselves in contemporary culture. However, there is a paradox, because despite the prevalence of hip-hop’s popular global impact, Black men are also still some of the most despised men in Western culture. Stereotypes of criminality, disease and danger still abound and organize Black men’s lives, even within hip hop culture. Thus representations of Black men tend to be much more restricted, than open-ended. The struggle to bring Black men into complex open-ended representations has been an on-going historical struggle. One of the most potent forms of representation in the last one hundred and fifty years has been the photograph. Photography has offered the promise to represent the real in a manner that has both seduce its viewers and baffled them with its artifice. Black male photographic representations in the last half of the twentieth century and into the twenty-first have promised to rescue Black men from the confines of mis-representation and stereotype. One of the most difficult and complicated circumstances of Black male representations has been in the realm of representing their sexuality. Black men’s sexuality is still over-burdened by a perceived threat and danger, especially now in the hyped-up era of the downlow. Then along comes Cushman. I first hear of Christopher Cushman’s photography from my boyfriend. He told me of a guy who was taking photographs of black nudes based upon how they wanted themselves to be seen, not how he posed them as his models. When I met Cushman he confirmed that he did indeed work from the models’ suggested posed and not impose his own. The idea is a great one because it allows the models agency in choosing what they believe to be an adequate representation of who they are. While it is now true that in contemporary culture subjects have learned to play for the camera, offering us artifice on command, this artifice can be understood as exposing inner senses of self and being. Cushman’s photography captures and reveals those inner desires. Look at me, many of the models seems to say. But look at me anew, is also what they seem to project and insist on. Cushman’s eye lavishes these Black male bodies with glimmers of light revealing their nuance personalities. While most of the men are naked their individuality comes clearly through. And yet, their eyes too reveal that they belong to a community, a family and possess desires, fantasies and needs. In these photographs, as viewers we are given new eyes to see beyond our inner voyeur. Cushman channels, Robert Mapplethorpe, Rotimi Fani-Kayode and many other artists, commercial and amateur photographers who seek to rescue the Black male body from the disastrous depths of mis-representation, and who almost always fall short. The conversations that his models create between his work and others whether unconscious or not reveal the profound influence of the image in our time. However, in Cushman’s eyes the Black male body is not being rescued, instead it stands on a self-made pedestal, not arrogantly announcing its existence but coolly (its signature) singing its own praisesong as swathes of light and behind the camera love washes over it. In each moment a small but significant revelation is made. Each revelation offers us the opportunity of an Epiphany – to think a thought about a Black man that we have not thought before. Professor Rinaldo Walcott is a cultural critic and Canada Research Chair of Social Justice and Cultural Studies at the University of Toronto. He lives and writes in Toronto.

FIERCE! Being Black, Being Gay in America

"What Chris has done with this important collection of images, Fierce: Being Black, Being Gay in America, A Photographic Essay, is to seek, lift, and affirm the identity and visibility of men-who love-men and express it in many ways. His photographs display Midwest American men from the outlandish and flamboyant, to the subdued and subtle. You’d think these were “ladies who lunch;” muscular men dressed for the “Park” in lace, and floppy hats to give effect for all to see. Brothers connecting in places we know are safe, such as our nightclubs, the discos, and special events targeting our interests.

The importance of Fierce is paramount: all men are created equal, and share a space on earth. These portraits of men have to be recognized as God’s beauty and not His damnation. Time will thank those who were strong and dared enough to express themselves for all to see and appreciate in a manner that’s loving and creative. Time will also thank us for not living in a paranoid state of mind, and afraid of our own shadows. Remember, this cluster of work isn’t Robert Mappelthope’s approach to black imagery, but the approach of documenting men as they wanted to be seen: with and without sexual stimulation, for shock value."

Curtis A. Lipscomb
Executive Director Kick – The Agency for L-G-B-T African-Americans
Detroit Michigan / 2005
www.e-kick.com